Eurovision Was Once a Campy Joy – However It Has Evolved Into a Strategic Method to Sanitize Conflict.

A new term surfaced several months following the onset of the intensive bombing of Gaza by Israel. Known as WCNSF, it means “Wounded child, no surviving family”. This term is specific to Gaza, according to medical experts like child health specialists. Ordinarily, it is uncommon for doctors to attend to a child who has lost their whole family. But, there has been absolutely nothing ordinary regarding the genocide in Gaza, where entire family lineages have been obliterated and the number of young amputees is greater than that of anywhere else in the world. Nothing normal about scores of doctors arriving back from a devastated terrain with accounts of children being intentionally shot at.

A Living Nightmare Regardless of a Supposed Ceasefire

Conditions in Gaza persist as an utter catastrophe. Critical healthcare resources are being blocked those in need, and major human rights organizations assert that atrocities are still being committed. The Israeli government rejects these accusations, just as it disavows everything it is charged with. But while young survivors are now suffering from the cold in makeshift tent camps, there is a little heartwarming news: apparently nothing is going to stop the Eurovision from pursuing its declared purpose of “togetherness and artistic sharing.” Organizers will continue to extend a welcoming platform for Israel, although at least four European countries have now boycotted in dissent. Because this, apparently, is what unity resembles.

Eurovision, of course excluded Russia from taking part in 2022 over the “serious conflict in Ukraine”. However, the situation in Gaza seems completely different.

A Double Standard

Forget the fact that Israel was criticized for irregular participation methods last year in what seems to have been an effort to politicise Eurovision. Forget the fact that a toddler was reportedly killed in Gaza just days ago. Pay no mind to the evidence that aggression from Israeli settlers and coerced removal in the West Bank have increased dramatically. Disregard the condition that international journalists are still blocked from independent reporting in Gaza. All of this, apparently, should be seen as a barrier of Eurovision’s self-proclaimed spirit of unity.

The Contest Continues While Ignoring Profound Human Cost

Eurovision turns 70 next year – nearly twice the current lifespan of someone in Gaza at present. The show may go on, but it will likely never recapture the camp joy it was formerly known for. A contest that was originally built on togetherness has devolved into a cynical way to sanitize military aggression.

Ann Brown
Ann Brown

Maya Chen is a tech journalist and innovation strategist with over a decade of experience covering emerging technologies and digital transformation.